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John Barry (composer) - Wikipedia. John Barry. OBEBackground information. Birth name. John Barry Prendergast. Born(1. 93. 3- 1.

November 1. 93. 3York, Yorkshire, England. Died. 30 January 2. Oyster Bay, New York, United States.

Genres. Film score. Occupation(s)Composer, conductor. Instruments. Keyboards, Drums, Harmonica. Years active. 19. John Barry Prendergast, OBE (; 3 November 1. January 2. 01. 1)[1][2] was an English composer and conductor of film music.

He composed the scores for 1. James Bond films between 1. James Bond Theme" to the first film in the series, 1. Dr. No. He wrote the Grammy- and Academy Award- winning scores to the films Dances with Wolves and Out of Africa, as well as the theme for the British television cult series The Persuaders!, in a career spanning over 5. In 1. 99. 9, he was appointed OBE at Buckingham Palace for services to music. Born in York, Barry spent his early years working in cinemas owned by his father.

During his national service with the British Army in Cyprus, Barry began performing as a musician after learning to play the trumpet. Upon completing his national service, he formed his own band in 1. The John Barry Seven. He later developed an interest in composing and arranging music, making his début for television in 1. He came to the notice of the makers of the first James Bond film Dr.

No, who were dissatisfied with a theme for James Bond given to them by Monty Norman. This started a successful association between Barry and Eon Productions which lasted for 2. He received many awards for his work, including five Academy Awards; two for Born Free, and one each for The Lion in Winter (for which he also won the first BAFTA Award for Best Film Music), Dances with Wolves and Out of Africa (both of which also won him Grammy Awards). He also received ten Golden Globe Award nominations, winning once for Best Original Score for Out of Africa in 1. Barry completed his last film score, Enigma, in 2. Watch Sharkwater Youtube on this page. Eternal Echoes the same year. He then concentrated chiefly on live performances and co- wrote the music to the musical Brighton Rock in 2.

Don Black. He was made a Fellow of the British Academy of Film and Television Arts in 2. Barry was married four times and had four children. He moved to the United States in 1. Biography[edit]Early life and education[edit]Barry was born John Barry Prendergast, in York, England, and was the son of an English mother and an Irish father. His mother was a classical pianist.

His father, John Xavier "Jack" Prendergast, from Cork, was a projectionist during the silent film era, who later owned a chain of cinemas across northern England.[3][4][5] As a result of his father's work, Barry was raised in and around cinemas in northern England[3] and he later stated that this childhood background influenced his musical tastes and interests.[4] Barry was educated at St Peter's School, York, and also received composition lessons from Francis Jackson, Organist of York Minster.[4]Serving in the British Army, Barry spent his national service playing the trumpet.[6] After his army service, he took a correspondence course (with jazz composer Bill Russo); he also worked as an arranger for the Jack Parnell and Ted Heath's Orchestra,[7] and formed his own band in 1. John Barry Seven,[8] with whom he had some hit records on EMI's Columbia label.

These included "Hit and Miss", the theme tune he composed for the BBC's Juke Box Jury programme, a cover of the Johnny Smith song "Walk Don't Run", and a cover of the theme for the United Artists western The Magnificent Seven. By 1. 95. 9 Barry was gaining commissions to arrange music for other acts, starting with a young trio on Decca, coincidentally called the Three Barry Sisters, though unrelated both to Barry and the more famous Barry Sisters duo in America.[9] The career breakthrough for Barry was the BBC television series Drumbeat, when he appeared with the John Barry Seven.

He was employed by EMI from 1. Adam Faith; [1. 0] he also composed songs (along with Les Vandyke) and scores for films in which Faith was featured. When Faith made his first film, Beat Girl (1. Barry composed, arranged and conducted the score, his first. His music was later released as the UK's first soundtrack album.[1. Barry also composed the music for another Faith film, Never Let Go (also 1. Mix Me a Person (1.

The Amorous Prawn (also 1. In 1. 96. 2, Barry transferred to Ember Records, where he produced albums as well as arranging them.[1. These achievements caught the attention of the producers of a new film called Dr.

No (1. 96. 2) who were dissatisfied with a theme for James Bond given to them by Monty Norman. Barry was hired and the result was one of the most famous signature tunes in film history, the "James Bond Theme". Credit goes to Monty Norman, see here.) When the producers of the Bond series engaged Lionel Bart to score the next James Bond film From Russia with Love (1.

Bart could neither read nor write music. Though Bart wrote a title song for the film, the producers remembered Barry's arrangement of the James Bond Theme and his composing and arranging for several films with Adam Faith. Lionel Bart also recommended Barry to producer Stanley Baker for his film Zulu (1. Bart and Barry worked together in the film Man in the Middle. This was the turning point for Barry, and he subsequently won five Academy Awards and four Grammy Awards, with scores for, among others, Born Free (1.

The Lion in Winter (1. Midnight Cowboy (1. Somewhere in Time (1. Barry was often cited as having had a distinct style which concentrated on lush strings and extensive use of brass. However he was also an innovator, being one of the first to employ synthesizers in a film score (On Her Majesty's Secret Service, also 1. Midnight Cowboy.[1. Because Barry provided not just the main title theme but the complete soundtrack score, his music often enhanced the critical reception of a film, notably in Midnight Cowboy, the first remake of King Kong (1.

Out of Africa (1. Dances with Wolves (1. Barry would often watch films and would note down with pen and paper what worked or what did not.[5]Barry composed the theme for the TV series The Persuaders!

The Unlucky Heroes, in which Tony Curtis and Roger Moore were paired as rich playboys solving crimes.[1. The instrumental recording features the Cimbalom (which Barry also used for The Ipcress File (1. Moog synthesizers. The theme was a hit single in many European countries (including France, Germany, and the Benelux states), contributing to the cult status of the series in Europe, and the record featured Barry's The Girl with the Sun in Her Hair on the B side, an instrumental piece featured in a long running TV advert for Sunsilk shampoo. Barry also wrote the scores to a number of musicals, including the 1.

Passion Flower Hotel (lyrics by Trevor Peacock), the successful 1. West End show Billy (lyrics by Don Black),[1. Broadway flops, Lolita, My Love (1. Watch Flash Gordon Streaming.

Alan Jay Lerner as lyricist, and The Little Prince and the Aviator (1. Don Black. In 2. 00. University of York conferred an honorary degree on Barry, and in 2. Honorary Freeman of the City of York.[1. During 2. 00. 6, Barry was the executive producer on an album entitled Here's to the Heroes by the Australian ensemble The Ten Tenors.

The album features a number of songs Barry wrote in collaboration with his lyricist friend, Don Black. Barry and Black also composed one of the songs on Shirley Bassey's 2. The Performance. The song, entitled "Our Time Is Now", is the first written by the duo for Bassey since "Diamonds Are Forever".[2. James Bond series[edit]After the success of Dr. No, Barry was hired to compose and perform eleven of the next fourteen James Bond films (Monty Norman is legally recognised as the composer of the "James Bond Theme").[2.

In his tenure with the film series, Barry's music, variously brassy and moody, achieved very wide appeal. For From Russia with Love he composed "0.