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Critics Consensus: Slack Bay won't resonate with all viewers, but for filmgoers attuned to absurd French farce, its slapstick chaos should deliver just enough belly. Being a millennial myself, I could feel attacked by this article claiming that my kind doesn’t care much for old movies. But in my experience — outside of my. Swedish director Ruben Ostlund won Palme d'Or for this "slapstick tragedy about the fragility of everything we call human".
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The Best Classic Movies for People Who Don’t Watch Older Films. Every week, Indie. Watch Airwolf Streaming. Wire asks a select handful of film critics two questions and publishes the results on Monday. The answer to the second, “What is the best film in theaters right now?”, can be found at the end of this post.)A recent article (based on a very unscientific poll) argued that millennials don’t really care about old movies. Maybe that’s true, and maybe it isn’t, but the fact remains that many people disregard classic cinema on principle. These people are missing out, but it only takes one film — the right film — to change their minds and forever alter their viewing habits. This week’s question: What is one classic film you would recommend to someone who doesn’t watch them?
Candice Frederick (@Reel. Talker), Hello Beautiful, /Film, Thrillist, etc“Rebel Without a Cause.” I’ll out myself by saying that I’ve only recently seen this film for the first time over the last two years. I remain so surprised by how layered and relevant it still is.
Audiences who’ve grown up with teen movies like “She’s All That,” “Clueless,” and even “The Hunger Games,” which explore classism among the younger generation in a way that is instantly digestible yet still meaningful, can appreciate this 1. James Dean for its searing portrayal of teen angst and repression.
Rebel Without a Cause” transcends era and does what every great teen film should do; give young characters full agency in a story that is uniquely and profoundly their own. Manuela Lazic (@manilazic), Freelance for Little White Lies, Vague Visages. Being a millennial myself, I could feel attacked by this article claiming that my kind doesn’t care much for old movies. But in my experience — outside of my “beloved” Film Twitter- it is kind of true! Depending on where the youngsters live, how old they actually are, etc, the answers vary of course, but I will never forget that time when my then- 1. Bosnia refused to watch “Tootsie” because it was ‘old’ (we still speak, but I don’t think she takes me too seriously ever since I got mad at her about that).
Generally, when a person around my age and who isn’t really into movies asks me for recommendations, I try to get a sense of their taste first - or I just recommend my favorite movies, however weird they might be, because they’re my favorites and everyone should watch them. Thanks. If some youth came up to me with bad words for the movies of yore, however, I would have to wring their heartstrings properly. Everyone has at least heard of Marilyn Monroe, and teens might enjoy finally understanding where Madonna’s video for Material Girl took its style from, so “Some Like it Hot” might do the trick. Seduced by the very salacious title and its star, the millennial would then be immediately enraptured by the film’s dynamic opening sequence and its engrossing mixture of tones, from bleak film noir to comedy to action (without needing to register them!).
This 1. 95. 9 movie is not slow and boring! There’s even sexy music with a ukulele! I don’t think it could suffer too badly from the attacks of woke readings either.
Sure, it’s fucked up to dress as a woman to get a job, then to become a woman’s best girlfriend while also seducing her as a man who isn’t even your real self, and have to console her when you yourself have treated her badly while dressed as a man. But these men are so completely overwhelmed by the situation in which they have found themselves in by their own damn fault, you end up laughing more at them than at anyone else! Karen Han (@karenyhan), freelance for /Film, Vulture. Though firmly a product of its time as a tale of love during World War II, “A Matter of Life and Death” hasn’t aged a day. I first saw it a few years ago and have re- watched it a few times since then, and each time I’m struck by how fresh the film feels; there’s nothing particularly “old” about it except the era in which it was made. The transitions from black and white to full Technicolor are dazzling, as is the way the film’s final act rests upon the selflessness that’s born out of being in love, as represented by a single tear. It’s also notably optimistic and pure of heart in its sentiments as to the American Dream, both for its time as well as in comparison to the modern climate.)Read More: As ‘Patti Cake$’ Stumbles, Fox Searchlight Faces a Battle To Remain on Top.
Christopher Campbell (@thefilmcynic) Nonfics and Film School Rejects. How far back is “classic” nowadays?
Forty years? Then “Jaws,” if Golden Age then anything made by Billy Wilder, if we go back to the silents then “The General.” But regardless, I’d like to go one step further and say that millennials (and everyone else) need to also recognize more classic nonfiction cinema, as TCM has finally been doing here and there in the past few years. For the millennials I’d have to pick something accessible and entertaining to a degree.
Some of the choices I’m still trying to pick one from include “The Thin Blue Line,” which is a riveting detective story, “Harlan County USA,” which is intense and dramatic, and Frederick Wiseman’s “High School,” because high school movies can be easily enjoyed in a relatable sense. Siddhant Adlakha (@Sidizen. Kane), Birth. Movies.
Death. There’s no better time to watch “Lawrence of Arabia” (1. When courting us millennials with older films, we tend to look at a couple of things: 1) Availability. Given the film’s 4. K restoration a few years ago and the impending 7. Historical context. The bloated, CGI- heavy studio epics of today feel like constant background noise, but films like “Lawrence of Arabia” were at once massive event film and acclaimed high art, a combination unfamiliar to us outside “The Lord of the Rings.” And 3) How gay is it?
This isn’t true for all millennials, but it’s probably your best bet to get a lot of us to catch it on celluloid, the only way I’ve ever seen the film and the way it deserves to be seen. For a studio picture in the ’6. Lawrence of Arabia” is hella gay, as we say. Jude Dry (@jdry), Indie. Wire. Katharine Hepburn, Cary Grant, and Jimmy Stewart. It just doesn’t get better than “The Philadelphia Story.” The legendary George Cukor directs from the smash hit Broadway play by Philip Barry a full- blown farce with a lot of heart. Shot in black and white, “The Philadelphia Story” is packed with color.
Tracy Lord would throw her head back and laugh in the face of anyone who would slap a monochrome movie with the dreaded label of “boring.” That’s why it’s such a good intro to the classic film: This film funny as all get out, filled with the most charismatic screen legends of the time (or all time, for that matter), and delivers a master class in engaging dramatic writing. With rich characters, and a plot that spins along at a steady clip, “The Philadelphia Story” is a gem.
Miriam Bale (@mimbale), Freelance“Red- Headed Woman” (1. It may not be the best pre- code movie, but this extremely naughty Jean Harlow film (written by Anita Loos) is definitely the most pre- code movie. Ray Pride (@raypride), Newcity, Movie City News.
There’s always an older film to seduce someone already interested in movies, music or visual art, but it requires the measure of their tastes to strike the right tastebuds. I wish “Rules of the Game” would strike the fancy of anyone and everyone, but it’s more often a movie like these recently shared eye- openers to a range of younger friends: Joseph H.
Lewis’ “Gun Crazy,” “Point Blank,” “The Conformist,” “Andrei Rublev,” “Out of the Past,” “Written on the Wind,” “Playtime” and several choice Borzages. Richard Brody (@tnyfrontrow), The New Yorker. The syndrome is familiar—I suffered from it, and I can only prescribe the cure that worked for me. I was a baby- boomer who couldn’t care less about old movies (old Hollywood movies; I wouldn’t have known a foreign film if it bit me)—who actively disdained them as nostalgic and decadent. Then, when I was 1.