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Extremely Scary Horror Movies You Can Watch Right Now on Netflix. Well, 2. 01. 7 is officially flying by and it’s nearly October, a very special time of the year for horror fans. In the weeks leading up to Halloween, we binge- watch as many scary movies as we possibly can to get us in the spirit. We can usually even persuade our friends who don’t like scary stuff to be bold and watch a horror movie or two in the name of being festive.
Here’s some good news: Netflix is currently hosting a virtual library of great horror films, bona fide (old and new) classics of the genre guaranteed to freak you out. Here are 1. 5 highly recommended and extremely scary horror movies from all over the world that you can watch right now on Netflix: 1. The Babadook (2.
William Friedkin, director of The Exorcist, has famously stated that he’s never seen a more terrifying film in his life than The Babadook. So you’ve been warned, this is not for the faint of heart. Australian writer/director Jennifer Kent‘s critically adored first feature is even better than that, though. Kent uses the mechanics of a horror film to tell a soul- shaking story that will hit you right in the feels. Essie Davis plays a young widow struggling to raise her hyperactive and unmanageable six- year- old son (Noah Wiseman) after her husband is killed in a car accident. She’s already at the end of her rope when a threatening pop- up book announcing the arrival of a murderous top hat- sporting specter named Mister Babadook appears on her son’s bookshelf. Kent’s film has virtually no onscreen bloodshed or gore, as she’s far more interested in exploring and preying upon the most primal fears of the human mind: spiritual fears like losing a loved one suddenly or being a bad parent, and more tangible, immediate fears like a boogeyman still being able to get to you in your bed even after you’ve pulled your blankets over your head.
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Soaked with dread from the opening shot and brimming with masterfully staged jolts, The Babadook will frighten the living daylights out of you. Davis and Wiseman give two of the most affecting performances you’re likely to ever see in a movie, and Kent brazenly blurs the line between what’s real and what’s in the characters’ heads in a way that requires us to become active viewers, connecting some of the dots ourselves.
What will stay with you long after the film is over is the emotional gut punch: just under the surface, this is a deftly written and empathetic story about a family working through obstacles like mental illness, depression and debilitating grief– real- life perils that can seem, at times, too scary to even think about. The Babadook is more than a first- rate scare- fest; it’s one of the most confident and distinct debuts by a writer/director so far this century. Wes Craven’s New Nightmare (1. Inspired and ahead of its time, Wes Craven’s New Nightmare was perhaps the first “meta” horror movie before meta was even really a thing. This is technically the seventh entry in the Nightmare on Elm Street franchise, but it exists within a bubble. The sly thriller is a film within a film, with most of the cast and crew of the previous Nightmare movies and other key figures in the mid- 1. Heather Langenkamp builds on her performance from the first film in about every possible way here, now playing herself, mother of a young son rethinking her allegiance to a genre full of killing and terror. New Nightmare delivers all the requisite slasher thrills, and it also boldly asks uncomfortable questions about why we enjoy movies like this and the effects they might have on us. Nearly a quarter century after it was released, New Nightmare still stands out. The Wailing (2. 01.
A gem from South Korea, Hong- jin Na’s sprawling and operatic mind- bender about a demon who terrorizes a small mountain village is many kinds of horror film rolled into one. This is a zombie movie, a ghost story and an exorcism film– and it excels as all of those, but these aren’t just empty thrills. Na is a virtuoso filmmaker; The Chaser (2. The Yellow Sea (2. Martin Scorsese would be proud of.
With The Wailing, Na has crafted a horror film on a scale that Hollywood rarely even attempts, a lush spectacle that takes its time, develops strong characters, and isn’t afraid to be uncompromisingly weird. Watch A Charlie Brown Christmas Online Ibtimes. The centerpiece of the film is an exorcism sequence–and if you think you’ve seen every exorcism scene movies have to offer, prepare to be surprised. This is an electrifying cross- cutting of two rituals, a vision of roaring fire, bright colors, music and dancing. It’s a widescreen showstopper that’s unlike anything else in the history of the genre. The Wailing runs just shy of three hours long, but its slow- burn sting is worth your patience.
The story is wildly unpredictable, and by the end you’ll feel as if you’re in the clutches of evil, like a cold claw is gripping the back of your neck. A signature of Na’s are his unhappy endings; be warned, this one is pitch black. Na has a mastery over his craft, and it’s only a matter of time before Hollywood starts remaking these films and/or brings him overseas to direct American movies. Watch Dream Slashers Online Dream Slashers Full Movie Online. It Follows (2. 01. A cold- blooded nightmare that could inspire an adult to sleep with a nightlight, David Robert Mitchell‘s supernatural thriller about a shapeshifting killer passed around like a curse exudes a blistering, downright oppressive atmosphere of menace. Mitchell throws you off balance from the very beginning in ways you might not even notice: this film is set in no discernible time period, or even a particular season, and certain details in the production design and in character’s actions just don’t make any sense. This is not unlike the method Stanley Kubrick used to make us uneasy throughout The Shining.
There is a quietness, a stillness in It Follows that you won’t find anywhere in contemporary horror hits like Annabelle: Creation or It, which rely heavily on loud noises and jump scares to shake an audience. As artful as it is frightening, It Follows is patient, rewarding perceptive viewers with a uniquely, richly disturbing experience. Many observers believe we are in something of a golden age of horror right now, with ambitious young directors pushing the genre beyond its limits to create meaningful and timeless work.
Along with films like The Babadook, Robert Eggers‘ The Witch and Jonathan Glazer‘s Under the Skin, It Follows is a key film in this discussion. Raw (2. 01. 7) [coming to Netflix Oct. Julia Ducournau‘s cannibal drama and is so graphic and intense it made grown men faint at the TIFF last year, requiring an ambulance. Horror can always be read as metaphor, and this wickedly clever allegory uses bloody violence and shocking imagery to punctuate a story about a young veterinary student (Garance Marillier) becoming her own person, denying the patriarchy and giving in to her innermost desires. You will love or hate Raw; it’s virtually impossible to have a mixed reaction to a film this confrontational.
Ducournau is wildly talented and exhibits tight control in her storytelling– running a mere 9. Raw is at once punchy and lean, robust and muscular. Though it may not be to everyone’s taste [awful pun, but I couldn’t resist], Raw is the work of a visionary, one of 2. Under the Shadow (2. An exquisitely crafted and thoroughly unnerving chiller, writer/director Babak Anvari‘s feature debut blurs the line between supernatural terror and the horrors of the real world like few films you’ll ever see.
Set in 1. 98. 0’s Tehran during The War of the Cities–the backdrop of Anvari’s own fear- ridden childhood–Narges Rashidi stars as medical student Shideh who is barred from her studies because of her involvement in revolutionary politics. When her husband departs for the front, Shideh is tasked with protecting their young daughter Dorsa (Avin Manshadi) as the fighting and bombings escalate around them. It doesn’t look like things can get any bleaker, and that’s when Shideh and Dorsa are haunted by an evil genie.